The compositions of Stephen Goss are utterly captivating – The Independent

Flair, quick thinking and a feel for colour are everywhere – BBC Music Magazine

Stephen Goss’s music receives hundreds of performances worldwide each year. It has been recorded on over 90 albums by more than a dozen record labels (including EMI, Decca, Virgin Classics, Naxos, and Deutsche Grammophon), and is regularly performed at the world’s leading concert venues (such as Carnegie Hall, Wigmore Hall, the Tchaikovsky Hall, and the Royal Albert Hall). His output embraces multiple genres: orchestral and choral works, chamber music, and solo pieces. He is considered ‘one of the guitar’s finest living composers’ (International Record Review).

Recent work includes several projects with the legendary guitarist John Williams, who has recorded and toured Steve’s Guitar Concerto with the Royal Philharmonic Orchestra. Describing the concerto in an interview for Soundboard, Williams said ‘I don’t know of any guitar concerto which is as consistently successful on all fronts’.

Goss’s work is marked by a fascination with time and place – both immediate and remote – and the musical styles that evoke them. In many of his compositions, contrasting styles are juxtaposed through abrupt changes of gear. As BBC Music Magazine noted ‘Goss weaves together an eclectic range of influences – at once retrospective and forward-looking’. His compositional voice is shaped by his parallel career as a guitarist – that is to say, as a performer, transcriber, arranger, improviser and collaborator with other composers and performers. Not surprisingly, his music often tests the boundaries between all these activities and original composition.

Steve’s music has been performed and recorded by many of the world’s leading orchestras including: the Russian National Orchestra, the Oregon Symphony Orchestra, the Orquesta Sinfónica Nacional de Colombia, the China National Symphony Orchestra, the Royal Liverpool Philharmonic Orchestra, the RTÉ National Symphony Orchestra, the Boulder Philharmonic Orchestra, the Scottish Chamber Orchestra, BBC NOW, and the Barcelona Symphony Orchestra. In his role as composer-in-residence for the Orpheus Sinfonia, Steve wrote the Piano Concerto (released by Signum Classics in 2013), and the Concerto for Five (for the unique combination of violin, saxophone, cello, bass, piano and orchestra). Steve’s Albéniz Concerto for guitar and orchestra was released to great critical acclaim on EMI Classics in 2010 and has since been performed in Europe, Asia, Russia, and the US. Steve’s other concertos include: A Concerto of Colours, for guitar and wind ensemble, the Koblenz Concerto for two guitars and orchestra (for SoloDuo) and the Theorbo Concerto (for Matthew Wadsworth): the first concerto ever written for the theorbo. In 2021 Steve was nominated for an Ivor Novello Award.

Other commissions have come from: percussionist Evelyn Glennie, cellist Natalie Clein, flutist William Bennett, and tenor Ian Bostridge, as well as guitarists David Russell, Xuefei Yang, Zoran Dukić, Miloš Karadaglić, Aniello Desiderio, and Lukasz Kuropaczewski. Steve’s eclectic approach has led to collaborations with artists as diverse as Andrew Lloyd Webber, Alt-J, and Avi Avital.

As a guitarist, Steve has worked with many leading composers (such as Toru Takemitsu, Hans Werner Henze, Peter Maxwell Davies, and Elliott Carter) and toured and recorded extensively with the Tetra Guitar Quartet and other ensembles.

Born in Wales in 1964, Stephen Goss studied at the Royal Academy of Music (where he won the Julian Bream Prize) and the Universities of Bristol and London (where he completed his doctorate). His composition teachers included Edward Gregson, Robert Saxton, Peter Dickinson and Anthony Payne, and he studied guitar with Michael Lewin. Steve is currently Professor of Composition and Director of the International Guitar Research Centre at the University of Surrey, UK, and a Professor of Guitar at the Royal Academy of Music in London. In 2018 he was made a Fellow of the Royal Academy of Music, an honour limited to 300 living people. He is an Arsenal season ticket holder.

© Jonathan Leathwood 2023

600 words, 2023

The compositions of Stephen Goss are utterly captivating – The Independent

Flair, quick thinking and a feel for colour are everywhere – BBC Music Magazine

Stephen Goss’s music receives hundreds of performances worldwide each year. It has been recorded on over 90 albums by more than a dozen record labels, including EMI, Decca, Virgin Classics, Naxos, and Deutsche Grammophon. His output embraces multiple genres: orchestral and choral works, chamber music, and solo pieces.

Goss’s work is marked by a fascination with time and place – both immediate and remote – and the musical styles that evoke them. In many of his compositions, contrasting styles are juxtaposed through abrupt changes of gear. His compositional voice is shaped by his parallel career as a guitarist – that is to say, as a performer, transcriber, arranger, improviser and collaborator with other composers and performers. Not surprisingly, his music often tests the boundaries between all these activities and original composition.

Several of Goss’s recent projects have involved the legendary guitarist John Williams, including his Guitar Concerto, which Williams recorded and played on tour with the Royal Philharmonic Orchestra. Some of the world’s leading orchestras to have performed his works include the Russian National Orchestra, the Oregon Symphony Orchestra, the Orquesta Sinfónica Nacional de Colombia, BBC NOW, the China National Symphony Orchestra, The Scottish Chamber Orchestra, and The Barcelona Symphony Orchestra.

Commissions have come from guitarists David Russell, Zoran Dukić, Aniello Desiderio, Miloš Karadaglić, and Xuefei Yang (including chamber works with percussionist Evelyn Glennie, cellist Natalie Clein and tenor Ian Bostridge). As a guitarist, Steve has worked with Tōru Takemitsu, Hans Werner Henze, Peter Maxwell Davies and Elliott Carter, and toured and recorded extensively with the Tetra Guitar Quartet.

Stephen Goss is Chair of Composition at the University of Surrey (UK), Director of the International Guitar Research Centre, and a Professor of Guitar at the Royal Academy of Music in London. In 2018 he was made a Fellow of the Royal Academy of Music, an honour limited to 300 living people. He was born in Wales on 2nd February 1964.

© Jonathan Leathwood 2023

www.stephengoss.net

340 words, 2023